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北京有关论文范例 和曹雪芹和北京西山类论文怎么写

分类:职称论文 原创主题:北京论文 发表时间: 2024-04-07

曹雪芹和北京西山,本文是北京有关论文怎么写和曹雪芹和北京西山和北京类论文范文数据库.

曹雪芹和他的《红楼梦》与北京西山的这片土地有着不解之缘,这片土地丰厚的历史文化积淀,产生了这位伟大的作家;而曹雪芹也成为北京西山永世荣耀的骄子!

在北京西山万安山脚下,有一座美丽的小山村——黄叶村.她风景秀丽,四时景物常新.虽地处北方,却山环水绕,茂林修竹,似有江南风韵.令她名闻天下的,却是十八世纪时,这里曾经生活过一位伟大的文学家——曹雪芹.

曹雪芹是我国十八世纪伟大的文学家,他出生在风花雪月的南京,雍正六年,由于家庭被朝廷抄没,十三岁的小雪芹随着家人回到京城.最初,他与家人居住在崇文门蒜市口一带.按照清代的制度,旗人十六岁成丁,十六岁的雪芹在家里亲朋的安排下,来到北京香山一带,每月关四两银子,过着一个闲散旗人的生活,这是他娶妻生子,安心写作的经济基础.

关于曹雪芹在北京西山到底住在哪里,一直是红学界探讨的问题.上个世纪二十年代,胡适先生,根据曹雪芹的友人诗歌,断定曹雪芹住在“西山”,一个可以望见西山晚霞的地方.到了五十年代,吴恩裕先生到香山一带采风,他租住在香山买卖街一个张姓老人的家里,用四个月的时间,遍访香山百姓,凡曹雪芹足迹所至,均记录在吴先生的笔下.他采用田野调查的方法,把文献资料与口碑资料互证,他的研究,把曹雪芹的居住范围,框定在香山、万安山、金山这个山湾里,其中主要是镶黄旗和正白旗两处.

1963年,吴恩裕先生与吴世昌、周汝昌、陈迩冬、骆静兰等红学家再次到西山采风,他们访问了张永海老人,得到两个非常重要的口碑资料:一个是关于曹雪芹西山居所的,说他住在四王府西边,地藏沟口的左边靠近河的地方,那儿今天还有一棵两百多年的大槐树.另外一个就是百姓传说,曹雪芹有一个叫鄂比的朋友,曾经送给他一副对联:远富近贫,以礼相交天下有;疎亲慢友,因财绝义世间多.

1971年,现曹雪芹纪念馆所在地——正白旗39号院旗下老屋,这副对联无意间被发现在西墙壁上,只是题壁上的对联与口碑中的有三字之差,还多了“真不错”三字.(口碑中的“有”在题壁诗上为“少”;口碑中的“绝义”在题壁上是“而散”,两相比较,题壁诗对仗得更工整.多出的“真不错”三字,是菱形书写形式的需要,也是对前边内容的感叹).加之纪念馆的外环境与1963年专家采风时收集的口碑资料相吻合,于是30多年来,围绕正白旗39号院是不是曹雪芹西山生活的居所,一直是红学界探讨的热点话题.

当年,著名红学家吴世昌在题壁诗发现后很快来到正白旗,匆匆看过墙壁后,他很快得出了结论:墙上文字应是嘉庆年间所题,但是“一看即知与曹雪芹无关”.

1975年10月4日,张伯驹、夏承焘、钟敬文、周汝昌等到正白旗三十九号老屋访问了舒成勋.舒成勋拿出当年“题壁诗”的照片给张伯驹看.张伯驹有“民国四公子之首”的称誉,其书画、戏曲、诗词方面都有很深的造诣,尤其是文物鉴赏方面堪称一代大家.张伯驹说,从题壁诗的书写方式来看,应为乾隆年间的诗格没有任何问题,不能仅据此就肯定此处是曹雪芹的故居,也断不可因此否定这里与曹雪芹的关系.从正白旗39号院舒家回到自己的住所,张伯驹做了一首《浣溪沙》词,记载了当日之事:

秋气萧森黄叶村,疏亲慢友处长贫,后人来为觅前尘.

刻凤雕龙门尚在,望蟾卧兔砚犹存,疑真疑幻废评论.

张伯驹在词的注中说:“按发现之书体、诗格及所存兔砚,断为乾隆时代无疑.”

1977年曹雪芹书箱的*者张行到正白旗39号院参观题壁诗,当他看到其中一首落款为“岁在丙寅”的扇形诗的落款题名为“拙笔”时,联想到自己祖上传下来的一对老黄松木书箱的题款也有“拙笔”两字,书箱上还有“乾隆二十五年岁在庚辰上巳”字样.后经专家比对,两个“拙笔”出自一人之手,由此证明了题壁诗的年代为乾隆十一年的丙寅年,这与曹雪芹在西山一代生活著述的时间相吻合.

1980年第1期《红楼梦学刊》年,冯其庸先生发表了《二百年来的一次重大发现——关于曹雪芹的书箧及其他》一文,就题壁诗、书箱以及废艺斋集稿三者之间的关系进行了论证,认为可为互证关系.

纵观各家观点,或针锋相对或大同小异,然而至今没有形成比较统一的观点.支持与反对双方,对自己证据过于倚重,而对对方观点没有给与理性的、全面的剖析和回应,是造成争执不断、鱼目混珠、明暗难分的主要原因.《红楼梦学刊》二零零六年第三辑发表了孙玉明的《香山“曹雪芹故居”真假之争》,对四十年来正白旗三十九号与曹雪芹西山故居的关系种种论断进行了比较系统地综述,任晓辉、辛欣合著的《<废艺斋集稿>研究》对涉及故居的问题进行了梳理.

2008年,这一历史公案在一种新的、科学的研究方法面前逐渐趋于明朗:曹雪芹纪念馆请中华人民共和国物鉴中心的字迹鉴定专家李虹先生,对题壁诗、曹雪芹书箱子、废艺斋集稿进行了字迹鉴定,结果是:题壁诗上的诗文,出自一人之手;题壁诗与书箱子上的五行书目、与废艺斋集稿的曹雪芹自序,出自一人之手.但是,专家注重实物,题壁诗、书箱子专家是针对实物进行的鉴定,而废艺斋集稿因为散失,只能提供描摹本,不符合鉴定原则,所以不能断定,有待进一步实证的发现.

从雍正末年或乾隆初年曹雪芹移居西山,到乾隆二十八年除夕曹雪芹辞世,他大概在西山地区生活了近三十年.这其中他曾出去,试图谋求更好的发展,但是狷介的性格,狂傲的举止,似乎与世事不和,于是在朋友敦诚“劝君莫弹食客铗,劝君莫叩富儿门,残杯冷炙有德色,不如著书黄叶村”的劝勉下,曹雪芹回到北京西山,专心完成红楼梦的写作,最后死在这里,埋葬在这里.

由于曹雪芹长期生活在香山一带,他的活动范围很广:万寿山、玉泉山、寿安山、百花山、万安山在内的广大区域,都流传着曹雪芹、红楼梦的故事.这一区域正是中国古典园林、历史文物的重要聚集区,具体涉及到的地方有团城、法海寺、一拳石、玉皇顶、碧云寺、曹雪芹纪念馆、樱桃沟、卧佛寺、广慧庵、地藏沟、四王府、门头村、煤厂街、垌峪村等等.

由于雍、乾时期,迁居西山生活的知识分子不多,加之曹家显赫的家世和特殊的经历,曹雪芹本人又才高八斗,学识出众,言语幽默,为人坦诚,受到当地人民的欢迎.在当时,它就成为人们街头巷议的一个“新闻人物”.他的所作所为在民间被广泛传播开来,逐渐形成了“曹雪芹西山传说”的滥觞.这些都成为我们今天了解这位伟大作家的不可多得的珍贵材料.

2008年至2009年,曹雪芹纪念馆启动了“曹雪芹西山传说”的非物质文化遗产申报工作.通过采风、收集整理口碑资料,出版了《曹雪芹西山传说》一书,完成了专题片的拍摄和海淀区、北京市、国家废遗材料的申报和论证,2010年,获得了海淀区、北京市两级的非遗保护牌示;国家级已经通过“公示”阶段.

曹雪芹和他的《红楼梦》与北京西山的这片土地有着不解之缘,这片土地丰厚的历史文化积淀,产生了这位伟大的作家;而曹雪芹也成为北京西山永世荣耀的骄子!

Author? Li Mingxin(Beijing)

TranslatorJin Zi(Beijing)

At the foot of Wan´an Mountain in West Mountain, Beijing, there is a beautiful all mountain village, Huangye Village. She has beautiful scenery and the scenery is always new. Although it is located in the north, the mountain is surrounded by water, and the maolin is bamboo. It seems to he the charm of Jiangnan. What made her famous, but in the 18th century, once lived a great writer - Cao Xueqin.

Cao Xueqin is a great writer of the 18th century in China. He was born in Nanjing, and he was in the sixth year of Yongzheng. Because his family was copied by the court, the 13-year-old Xiao Xueqin returned to Beijing with his family. Initially, he lived with his family in the area of Chongwenmen Garage. According to the system of the Qing Dynasty, the 16-year-old Qi Ding, the 16-year-old Xue Qin, came to Beijing Xiangshan area under the arrangement of relatives and friends at home, and closed four or two silver coins every month, and lived a life of idle banner people. It is the economic foundation for his wife and children to write with peace of mind.

As for where Cao Xueqin lives in Xishan, Beijing, it has always been a question for the Red School. In the 1920s, Mr. Hu Shi, according to Cao Xueqin’s friend poetry, concluded that Cao Xueqin lived in “Xishan”, a place where he could see the Xishan sunset. In the 1950s, Mr. Wu Enyu went to the Xiangshan area to collect the wind. He rented a home in the old man named Zhang, on the Xiangshan Street, and spent four months visiting the Xiangshan people. All the records of Cao Xueqin were recorded in Mr. Wu’s Write down. He used the method of field investigation to cross-examine the literature and word-of-mouth information. His research, framed the residence of Cao Xueqin in the mountain bay of Xiangshan, Wan´an Mountain and Jinshan, mainly inlaid with Huangqi and Zhengbaiqi.

In 1963, Mr. Wu Enyu and Wu Shichang, Zhou Yichang, Chen Yudong, Luo Jinglan and other red scientists once again went to Xishan to collect the wind. They visited Zhang Yonghai and got two very important word-of-mouth materials: one was about Cao Xueqin’s Xishan residence, saying that he lived. On the west side of the Four Kings House, the left side of the Dizangoukou is close to the river. There is still a big banyan tree for more than two hundred years. The other one is the legend of the people. Cao Xueqin has a friend named Ebi who once ge him a couplet: far rich and poor, and the courtesy of the world; the pro-family friends, because of the wealth of the world.

In 1971, the location of Cao Xueqin Memorial Hall, the old house of No. 39 Zhengbaiqi, was unintentionally found on the west wall. It was only the difference between the couplet and the word of mouth on the wall. "Three words. (The "Yes" in word-of-mouth is "less" in the title wall poem; the "absolute meaning" in the word-of-mouth is "and scattered" on the wall of the question. When the two sides are compared, the wall-to-wall poems are more neat. The extra "very good" The three words are the need for a diamond-shaped writing form and a sigh of the front content. In addition, the external environment of the memorial hall coincides with the word-of-mouth information collected during the expert collection in 1963. Therefore, over the past 30 years, whether the 39th courtyard of Zhengbaiqi is the residence of Cao Xueqin Xishan has always been a hot topic in the red academic circle.

At that time, the famous red scientist Wu Shichang soon came to Zhengbaiqi after the discovery of the wall poem. After hurriedly watching the wall, he quickly concluded that the wall text should be the title of Jiaqing years, but "a look at the knowledge and Cao Xueqin Not relevant."

On October 4, 1975, Zhang Bozhen, Xia Chengyu, Zhong Jingwen, Zhou Yuchang and so on went to the old house of No. 39 Zhengbaiqi to visit Shu Chengxun. Shu Chengxun took out the photo of the title wall poem in the past and ge it to Zhang Bojun. Zhang Bojun has the reputation of "the head of the four sons of the Republic of China". His paintings, operas and poems he deep rumors, especially in the appreciation of cultural relics. Zhang Bozhen said that from the way of writing the wall poems, there should be no problem for the poems of the Qianlong period, but it is not only possible to confirm that this is the former residence of Cao Xueqin, but it is also impossible to deny the relationship with Cao Xueqin. From Shujia, No. 39, Zhengbaiqi, he returned to his residence. Zhang Bojun made a "Quanxi Sha" and recorded the day´s events:

In the autumn, Xiaosen Huangye Village, the relatives of the slow friends are poor, and later generations come to the front.

The engred phoenix dragon door is still there, and the squatting rabbit is still alive.

In the note of the word, Zhang Bozhen said: "According to the book of the book, the poetry and the existing rabbits, it is undoubted that the Qianlong era is broken."

In 1977, Zhang Xing, the collector of Cao Xueqin´s book box, went to the 39th courtyard of Zhengbaiqi to visit the wall poem. When he saw one of the fan-shaped poems that were "year-old in Bingyin", the title of the fan-shaped poem was "拙笔", The title of a pair of old yellow pine wooden bookcases uploaded by his ancestors also has the word "拙笔", and the book box also has the words "Qianlong twenty-five years old in Gengchen." After the comparison by experts, the two came from the hands of one person, which proved that the age of the wall poems was the first year of Emperor Qianlong´s eleven years, which coincided with the time of Cao Xueqin´s life writing in the Xishan generation.

In the first issue of "The Dream of Red Mansions" in 1980, Mr. Feng Qiyong published a "A Major Discovery in the Past Two Hundred Years - About Cao Xueqin´s Book and Others", on the wall of poems, book boxes and scrap art. The relationship between the parties was demonstrated and considered to be a mutual relationship.

Throughout the various viewpoints, or the tit-for-tat or similar, but so far has not formed a more unified view. Supporting and opposing the two sides, relying too much on their own evidence, and not giving a rational and comprehensive analysis and response to the other side´s views, is the main reason for the constant disputes, the confusing, the dark and the dark. The third series of "Dream of the Dream of Red Mansions" published the "The True and False Controversy of Xiangshan " Cao Xueqin´s Former Residence" by Sun Yuming, and compared the various relations between Zhengbaiqi 39 and Cao Xueqin´s former residence of Xishan in the past 40 years. A systematic review, Ren Xiaohui and Xin Xin´s "Study on the Collection of Waste Art" is a review of the issues involving the former residence.

In 2008, this historical case gradually became clear in the face of a new and scientific research method: Cao Xueqin Memorial Hall invited Mr. Li Hong, a handwriting appraisal expert of the Physical Education Center of the Ministry of Public Security of the People´s Republic of China, to the title wall poem, Cao Xueqin book box, The collection of the waste art was carried out, and the result was: the poems on the wall of the poems were from the hands of one person; the five-line bibliography on the wall and the book box, and Cao Xueqin from the collection of the waste art, from the hands of one person. However, the experts pay attention to the real thing, the experts of the wall poetry and the book box are the identification of the real thing, and the waste art collection is only able to provide a description of the book because it is lost, and does not meet the appraisal principle, so it cannot be concluded that further discovery is needed.

From the late Yongzheng or the early years of Qianlong, Cao Xueqin moved to Xishan, and when Cao Xueqin passed away on the New Year´s Eve of the 28th year of Qianlong, he probably lived in the Xishan area for nearly 30 years. Among them, he once went out and tried to seek better development. However, his character and arrogant behior seem to be inconsistent with the world. Therefore, in his friend Duncheng, he persuaded the monarch to sneak up on the diners and persuade the monks to enrich the children. Cao Xueqin returned to Beijing Xishan and concentrated on the writing of the Dream of Red Mansions. He died here and was buried here.

Because Cao Xueqin has lived in Xiangshan for a long time, his activities are very wide: the vast areas of Wanshou Mountain, Yuquan Mountain, Shou´an Mountain, Baihua Mountain and Wan´an Mountain all he the story of Cao Xueqin and the Dream of Red Mansions. This area is an important gathering area of Chinese classical gardens and historical relics. The specific areas involved are Tuancheng, Fahai Temple, Yiquan Stone, Yuhuangding, Biyun Temple, Cao Xueqin Memorial Hall, Cherry Ditch, Temple of the Reclining Buddha. Guanghui Temple, Dizanggou, Siwangfu, Mentou Village, Coal Factory Street, Yucun Village, etc.

Due to the hustle and bustle of the period, there were not many intellectuals who moved to Xishan life. In addition to Cao’s outstanding family history and special experience, Cao Xueqin himself was only a high-spirited student, with outstanding knowledge, humor, and frankness, and was welcomed by the local people. At that time, it became a "newsperson" in the streets. His actions he been widely spread in the folk, and gradually formed the "Cao Xueqin Xishan legend". These he become rare and precious materials for us to understand this great writer today.

From 2008 to 2009, Cao Xueqin Memorial Hall launched the declaration of the intangible cultural heritage of "Cao Xueqin Xishan Legend". Through collecting the wind, collecting and sorting out word-of-mouth information, the book "The Legend of Cao Xueqin Xishan" was published, and the filming of the feature film and the declaration and demonstration of the three-level waste materials of Haidian District, Beijing Municipality and the State were completed. In 2010, Haidian District was acquired. The two-level non-legacy protection card in Beijing; the national level has passed the “publicity” stage.

Cao Xueqin and his "Dream of Red Mansions" he an indissoluble bond with this piece of land in Xishan, Beijing. This land rich historical and cultural heritage has produced this great writer; and Cao Xueqin has become the pride of Beijing Xishan Yongshi Glory!

此文结束语:上述文章是一篇关于对写作曹雪芹和北京西山和北京论文范文与课题研究的大学硕士、北京本科毕业论文北京论文开题报告范文和相关文献综述及职称论文参考文献资料有帮助.

参考文献:

1、 独钓寒江雪走近当代雕塑家曹俊亮 回族黄萌生走进中国美术家协会会员、中国工艺美术家学会雕塑专业委员会会员、当代著名回族雕塑家曹俊亮先生的工作室,有种跨进太阳山满眼宝贝的感觉 迎面墙边一帧古朴的木雕,带着中国工艺大师蠢疯独特的风格,上有.

2、 ﹃衮雪﹄曹操玩文字游戏? 在陕西汉中博物馆,有一组著名的镇馆之宝——被誉为“国之瑰宝”的汉魏十三品摩崖刻石 它们原镌于褒斜道南端的石门内外的崖壁上,后因修建水库,于1970年凿迁.

3、 曹雪芹站在哪儿叙事从《红楼梦》说起 王干现代小说讲究作者的叙述视点,叙述视点关乎到作家的立场和态度 因而现代小说叙事学要求作家尽量隐藏自身的立场和态度,采取代理叙述的方法,尽量选择合适的人物出场叙述 中国的古典小说由于脱胎于话本,基本都.

4、 杨雪芹:激发山里孩子读书的信念 她曾经在云南一所中学支教,发现由于职业信息不足,导致学生对读书的信念不足,陷入迷失自卑而辍学 为了改变这种状况,她倾力打造职业生涯教育公益分享平台,为这些学生补上职业规划这一课 如今,已为国内20个省.

5、 世界雪日暨国际儿童滑雪节中国区活动在北京冬奥会赛区举行 1月21日,“2018世界雪日暨国际儿童滑雪节”在2022年北京冬奥会三大赛区之一的北京延庆区开启中国区活动大幕 当天,700多名少年JL童在滑雪场欢聚一堂,尽享滑雪乐趣 .

6、 杨雪芹:拾梦人 “成人礼”杨雪芹决定跟随“美丽中国”支教团去云南临沧云县大朝山中学支教前,一直困扰于“未来人生道路的问题还没有解决” 从南开大学.